Lou Ye, the sixth-generation famous director in China, was born and grew up in Shanghai. He absorbed the nutrients of this land and has a very high sensitivity to the city. Lou Ye's shooting of Shanghai was not a glamorous neon city, but through "Suzhou River" , captures the dampness and depression in Shanghai's urban development. Suzhou River is like a microcosm of Shanghai, unconditionally accepting people, things and things from all over For Lou Ye, it may be the ambiguous atmosphere of some kind of love, like Peony, Meimei and Ma. Most of the sixth-generation directors in China were born in the 1960s and 1970s.
Unlike the fifth-generation directors who went through the hardships of the Cultural Revolution (Tian Zhuangzhuang, Chen Kaige, Zhang Yimou, etc.), this group of creators who took over the baton was absorbing nutrients. The reform and photo color correction services opening up has also encountered a broken period of social and economic transformation, which represents the disintegration of the old era, which is accompanied by new thinking. The constant collision between the old and the new has created the special video style of this group of directors, challenging the tradition and paying attention to the bottom.
Little people became symbols. In the name of the river, Lou Ye launched a tragic roaming of the city through "Suzhou River". , such as the smuggled foreign wine "vodka", the European "mermaid myth", etc., have become an important tool to promote the narrative, and can't be scattered on the Suzhou River. In other words, perhaps this is some kind of relic of the West entering China, and Lou Ye cleverly linked it together and smeared a layer of Western flavor in the contemporary Chinese earthy flavor.